Catering to Consumerism: Associated American Artists and the Marketing of Modern Art, 1934-1958

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Previous articleNext article No AccessCatering to Consumerism: Associated American Artists and the Marketing of Modern Art, 1934-1958Erika DossErika Doss Search for more articles by this author PDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Winterthur Portfolio Volume 26, Number 2/3Summer - Autumn, 1991 Published for the Henry Francis du Pont Winterthur Museum, Inc. Article DOIhttps://doi.org/10.1086/496530 Views: 58Total views on this site Citations: 5Citations are reported from Crossref Copyright 1991 The Henry Francis du Pont Winterthur Museum, Inc.PDF download Crossref reports the following articles citing this article:John Ott The Warp and Woof of the Archive: Anton Refregier, from Macy’s Showroom to Congressional Hearing, Archives of American Art Journal 55, no.11 (May 2016): 50–63.https://doi.org/10.1086/687313A. Deirdre Robson Industry: Art Angel? Pepsi-Cola's “Portrait of America” Art Annual as an Early Instance of Corporate Art Sponsorship, The Journal of American Culture 38, no.44 (Dec 2015): 329–343.https://doi.org/10.1111/jacc.12437John Ott Patrons, Collectors, and Markets, (Jan 2015): 525–543.https://doi.org/10.1002/9781118542644.ch30Barbara McCloskey Exile for Hire: George Grosz in Dallas, (Jan 2007): 33–60.https://doi.org/10.1007/978-1-137-08032-5_3Parson Weems’ Fable Nationalism and Truth in Grant Wood’s, ().https://doi.org/10.1515/9783110237863.105