Abstract
In the preceding issue of Critique d’art, Gloria Picazo took a caustic look at the copious production of catalogues showcasing the collections of public institutions, while Eric Troncy seemed to regret the “average and necessarily anonymous taste” that, in his view, typifies today’s curators and critics. This time, with the simultaneous publication of major books on Dan Graham, Yayoi Kusama and Michelangelo Pistoletto, the coincidences of the calendar prompt thoughts about this kind of “retro...
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