Abstract
Cinemas and movie theatres have specific room acoustic requirements that are well understood in the industry. Recent technologies such as Dolby Atmos and DTS:X provide an exciting spatial audio experience using a high number of audio tracks dynamically rendered to loudspeakers located in both the overhead and lateral planes. But what happens when the same venue is utilized for both motion picture screenings and acoustic performances? In this paper, active acoustics processing is integrated into existing cinematic surround sound architecture to provide a unique solution that promises flexibility rather than compromise. Design objectives, limitations, and performance of the integrated systems are reviewed.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
