Abstract
The paper examines how the British woman writer Angela Carter rewrites Charles Perrault’s household fairy tale—“Little Red Riding Hood” in her short story—“The Company of Wolves.” This paper attempts to analyze the two distinctive narrative strategies—re-characterization and second-person narration, skillfully deployed by Carter in order to rewrite Perrault’s classic tale into a feminist story. In Carter’s version, Little Red Riding Hood is represented as a witty new woman who embraces her own sexuality and regards herself as a subject rather than an object. Through the transposition between reader and character, Carter’s tale produces a new subject position for readers, particularly for young female readers.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callMore From: Fudan Journal of the Humanities and Social Sciences
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
