Abstract

This alchemical hermeneutical study analyzes Cormac McCarthy's novels No Country for Old Men and The Road as cultural dreams using Jungian and post-Jungian theory. McCarthy’s work elucidates the archetypal process of individuation toward the mature masculine in our time. Following McCarthy’s imagery and James Hillman's work, I focus on the split in the senex-puer archetype that structures the masculine psyche as the ultimate psychological site of our cultural dissociation. I also examine the teleological implications in the novel regarding the evolution of the God-image, which reflects man's understanding of the objective psyche, as well as the nature and psychological function of human evil.

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