Abstract
What followed were discussions with artists, critics, journalists, students, human rights activists, and scholars from Kosov@, Serbia, Germany, France, and the United States, who had come to Portland for Carnival in the Eye of the Storm. Some of us met in the morning in the exhibition to see Abdelali Dahrouch's installation Another Day of Harvest, in which the names of Kosovar Albanian refugees are embedded in a field of chalk. From there we walked to the conference. The day ended with the screening of films like Michael Benson's Predictions of Fire and Pictorial Hero's Victim of Geography at the Northwest Film Center. This event structure created an intense personal experience that gave me an emotional understanding of the numbers of displaced people in Kosov@. It placed faces with numbers. Eyes. Names. Voices. It also left me with a set of questions.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
