Abstract
Guido's career coincided with the explosion in Italy of an art market in the modern sense, and Malvasia marvels at its powerful effect. Pepper's catalogue raisonne of 1984 and various exhibition catalogues from the 1990s displayed more of Guido's artworks, some in color, so crucial for this artist. For now, however, and for a very long time, these superb volumes on Malvasia's Life of Guido Reni, and the others that constitute the larger project, will serve as a benchmark for ambitious research and unimpeachable scholarship, providing all who are interested in early modern art history a resource of the highest value.
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