Abstract

General Editor's Note Kimball King 'Captive Audience': an introduction Thomas Fahy Part I 1. The Confessional Voice: Medea's Brutal Imagination, Rena Fraden 2. Emotional Contraband: Prison as Metaphor and Meaning in U.S. Latina Drama Tiffany Ana Lopez 3. Seeing Ethnicity: The Impact of Race and Class on the Critical Reception of Miguel Pinero's Short Eyes Fiona Mills Part II 4. On Prisons in the United States Harold Pinter 5. Harold Pinter's Prison House: The Screenplay of Kafka's The Trial Ann C. Hall 6. Harold Pinter's The Handmaid's Tale: Freedom, Prison, and a Highjacked Script Christopher C. Hudgiuns 7. 'A World of Bodies': Performing Flesh in Marat/Sade Pamela Cooper 8. The Disposal: William Inge's Abject Drama Robert F. Gross 9. 'In Dark Corners': Masculinity and Art in Tennessee William's Not about Nightingales Thomas Fahy 10. Physical prison: Naomi Wallace's Drama of Captivity Claudia Barnett 11. No Exit and Waiting for Godot: Performances in Contrast Lois Gordon

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