Abstract
In her article "Canon Formation and the Reception of Blake's and Dickinson's Poetry in Korea" Hyesook Son examines a range of aspects with regard to the reception and scholarship of William Blake's and Emily Dickinson's poetry. Son demonstrates by what process these two poets have become canonized and what intellectual factors and ideologies have produced this canonization. The reception of Blake's and Dickinson's work has symptomatically displayed the characteristic Korean interpretive frames working through the last six decades and their limits and inherent possibilities. Today, Korean scholars are examining both their literary inheritance and reconstitute literary scholarship in general in order to reflect the shifting historical and cultural conditions to meet the need for change and diversity.
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