Abstract
This article argues that cancel culture rhetoric has become a key language for moral conflict in a polarized polity. A thematic rhetorical analysis of two prominent figures who claimed to be canceled, Missouri Senator Josh Hawley and Harry Potter author J. K. Rowling, shows similar rhetorical moves despite different contexts. Drawing conclusions from their rhetorical strategies, this article contends that claiming to be canceled is an effective image repair maneuver in the contemporary, polarized political system. As Hawley and Rowling’s rhetoric shows, claiming to be canceled allows a speaker to chart a middle course between empowerment and disempowerment while identifying a transcendent context to take a stand against a defined moral ill. Likewise, it crafts a moment of urgency wherein the speaker and their audience can relate, prompting a moralizing call to action. In short, claiming to be canceled facilitates storytelling where character work can occur in the service of image repair and image promotion.
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