Abstract

Polish characters appear in both mainstream Canadian books and children’s literature,  but they usually function as either side characters or antagonists. The fiction of Heather Kirk is a noteworthy exception. This Canadian writer, who spent two years in Warsaw in the late 1970s working as a lecturer at the University of Warsaw, devoted her first two young adult problem novels, Warsaw Spring (2001) and A Drop of Rain (2004), to Polish Canadians and Polish history and culture. The article argues that in Warsaw Spring Kirk shows that the teenage protagonist has to experience the history and culture of the country of her ancestors before she can incorporate it into her own transcultural repository of memory. The article demonstrates how the experience of traveling to Poland and meeting with the representatives of the older generations, often survivors of the Second World War and communism, influences the formation of the protagonist’s Polish Canadian identity and cultural memory. Finally, the article shows that despite Kirk’s praiseworthy attempts to introduce young readers to Polish history, the way she portrays Poland is problematic because the country emerges as an exotic, post-Second World War heritage site of memory for Eva, a Canadian teenager whom all of the novel’s Poles seem to treat as superior. 

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