Abstract
When we talk about the aesthetic judgement in Kant, certainly the main example is the judgement of taste, that is, beautiful and ugly. However, in addition to the judgement of taste, Kant speaks of another kind of aesthetic reflexive judgments - sublime. The main question addressed in this paper is whether in the case of the sublime we can speak of a negative aesthetic judgment, a judgment of what would be contrary to the sublime in the way that the ugly is opposite to the beautiful. After considering the similarities and differences of the ugly and sublime and outlining the formal problems of thinking at all about the aesthetic judgment of what is contrary to sublime, we will try to give a positive answer. The content (object) argument will be considered first, then the argument based on the relation of faculties, which will prove to be insufficient. The closest solution will be to consider in the specific kind of ridiculous.
Highlights
Apstrakt: Kada govorimo o estetskom sudu kod Kanta svakako je glavni primer sud ukusa, odnosno o lepom i ružnom
we talk about the aesthetic judgement in Kant
certainly the main example is the judgement of taste
Summary
Apstrakt: Kada govorimo o estetskom sudu kod Kanta svakako je glavni primer sud ukusa, odnosno o lepom i ružnom. Kada govorimo o estetskom sudu kod Kanta, onda je svakako glavni primer sud ukusa, odnosno sud o lepom (ili ružnom). Sve dok ostajemo na nivou osnovnog pitanja šta negativan sud ukusa treba da bude ostaje jasno da za Kanta moramo razlikovati lepo, ono što nije lepo i ružno (V-Lo/Pölitz, AA 24: 514). U skladu sa jednom od osnovnih formulacija lepog kao onoga što se dopada bez ikakvog interesa (Kant 1991:102, KU, AA 05: 211), praćena je razlikama u kvalitetu, odnosno valenci, prateće osećajne reakcije: ružno se odnosi na mogućnost da nešto bez povezanosti sa interesom izaziva osećaj nezadovoljstva, nedopadanje (ibid), dok se kod onoga što nije lepo radi o odsustvu bezinteresnog bilo dopadanja, bilo nedopadanja.
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