Can ‘art Professions’ Be Bourdieuean Fields Of Cultural Production? The Case Of The Architecture Competition

Abstract

The difference between ‘artistic and literary fields’ and universes such as architecture usually recognized as ‘art professions’ but which enjoy a far lesser ‘degree of autonomy’ than such fields seemingly constitutes an obstacle to the broader application of the notion of a ‘field of cultural production’ sought by Bourdieu in his Rules of Art. The author of this paper overcomes this obstacle by employing his notion of the ‘field effect’, with the architecture competition serving as the test case. Following Bourdieu, the author replaces the notion of profession with that of the field, for the former is a representation fostered by professional groups themselves. Architecture is a field, but, because architects require clients to construct and realize their works, one unlike the artistic and literary fields, which are markets of symbolic goods where ‘distinterest’ reigns and an autonomy unthinkable elsewhere is enjoyed. However, much like artists and unlike any other ‘professionals’, architects enter competitions, suggesting that this practice is an analytically relevant indicator of the field effect. After defining several of the elements of Bourdieu's relational conceptual matrix (field, illusio, collusion, doxa and space of possibles) and demonstrating that the Baptistery competition in Florence (1401) conforms to Bourdieu's historical beginning point for the process of 'autonomization' of artistic production, I examine a number of competitions from 1401 to 1989 (Berlin Jewish Museum) along with the general properties of competitions (structure and organization, publication and exhibition of results, competitors' economically irrational behaviour, practices of designers and jurors and the associated universe of beliefs), analysing them as those of an artistic field. It is concluded that when architects enter competitions, architecture, at least provisionally resembles an artistic field, for there is a field effect shown by a high degree autonomy, disinterest and the creation of an upside-down world.