Abstract

Although Albert Camus furnished us with only one rather vague acknowledgement of influence by Alfred de Vigny, I believe that their affinity goes beyond a recognized common distress in the face of certain aspects of the human predicament. I think further that superficial differences in the situation of the two authors mask attitudes which are fundamentally similar. In order to give this kinship the attention it deserves, I should like first to examine the relationship between the moral, social, and intellectual forces which formed the two men, and with this background to discuss two bases for affinity of metaphysical, social, and artistic points of view.Camus's humble origins had much the same significance as the romantic's aristocratic attachment to the past had for him. Each writer tended to insist on his alienation from the dominant middle class, but both noted a relationship between the popular and aristocratic milieux. The 1957 Nobel Prize winner stated that in the nineteenth century official social values were attacked by revolutionaries and by aristocrats like Vigny. “Dans les deux cas, peuple et aristocratie, qui sont les deux sources de toute civilisation, s'inscrivent contre la société factice de leur temps.” And in recounting the realization that his classmates hated him for his aristocracy, Vigny added, “J'étais pareil à un jeune ouvrier qui part avant l'aube pour faire sa journée . . . ”

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