Abstract
This paper explores the works of Albert Camus and Mo Yan from a cross-cultural perspective, focusing on their treatments of existentialism and rural literature. In works such as 'The Stranger' and 'The Plague,' Camus delves into the themes of individual isolation and alienation within an absurd world. 'Red Sorghum Family' by Mo Yan vividly captures the intricate tapestry of Chinese rural culture and its historical backdrop. A comparative analysis of Camus and Mo Yan not only uncovers the thematic, stylistic, and technical parallels and disparities but also illuminates the shared and divergent aspects of literary creation across distinct cultural milieus. This research not only has academic value but also supports mutual learning and inclusiveness among different cultures.
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