Abstract
In “ROADS TO THE SEA. Photographic Portrait of an Inhabited Landscape”, I tell with pictures a part of my origin landscape, a space of valencian orchard, a culture that is evolution of another cultures, leaving a physical print on this territory. Through photography I’m going picking up that wich points to the intangible, to the thought that made them. I meet again with spaces of my past, currently transformed, that are part of my vital memory. But I don’t have graphical memories of them. At that moment I asked myself…could photography as a document reflects history and identity of a place and to establish a dialogical relationship with the represented reality?
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