Abstract
This paper examines Call Me Kuchu, a 2012 documentary that profiles a group of activists in Uganda as they respond to the introduction of anti-homosexuality legislation in the Ugandan Parliament, the exposure of members of the LGBT community in the Ugandan publication Rolling Stone, and the death of activist David Kato. Utilizing queer theory, transnational feminism, and critical media studies, the authors provide a close reading of the film's formal elements in relation to the geopolitical context in which the film circulates. They argue for a more reflexive filmmaking praxis as well as significant contextualization of the issues of LGBT identity and human rights claims in relation to post-colonial politics. Ultimately, they offer suggestions for employing transnational filmmaking praxis and engaging with the film as a dynamic artifact of transnational and post-colonial contexts.
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