Abstract
For the past ten years or so we have seen an exceptional series of foreign collections exhibited in America and American collections abroad, yet each, fundamentally, was an isolated event arranged at a sometimes enormous expense of effort and worry not to mention money. There is no international exchange program in practice at the moment based on the notion of exhibitions specifically designed for import and export on regularly planned schedules—exhibitions put together with physical manageability and financial economy in mind as well as artistic quality. Sooner or later our museums and art organizations will arrive at the place where they may feel the need for such a program, and I should like to mention some related impressions gathered while serving as curator for the College Art Association's “University Collections” exhibition.
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