Abstract
The works of certain Turner Prize winners have prompted some critics to question whether they are in fact really artworks at all. This chapter looks at the controversies that have arisen over the presence of conceptual art, installations, photography, video art and ready-mades in the shortlist exhibition, as well as speculation about conspiracies at the heart of the contemporary art world. Turner Prize artworks are considered against competing definitions of art that have been offered by writers on aesthetics, including Clive Bell, W.E. Kennick and George Dickie.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.