Abstract
RESUMO Uma das grandes imprecisões que atravessam as seis décadas de história do Parque Ibirapuera é que seu projeto paisagístico teve a autoria de Roberto Burle Marx, o principal nome do paisagismo brasileiro. Este artigo busca reconstruir os processos de aproximação e desaproximação do paisagista com o parque e suas propostas de intervenção nos anos 1950, 1970 e 1990. Visa, ainda, retraçar as razões pelas quais tais projetos encontraram resistência à sua realização, pois apenas o último gerou resultados práticos e, ainda assim, parciais, o que torna o equívoco de atribuição, ainda corrente, um mito que neutraliza um processo histórico bastante tumultuado.
Highlights
of the great misperceptions that has persisted over the six decades of the history
that it was designed by Roberto Burle Marx
This article seeks to recover the pattern of approach and distancing of the landscaper
Summary
One of the great misperceptions that has persisted over the six decades of the history of São Paulo’s Ibirapuera Park is that it was designed by Roberto Burle Marx, the biggest name in Brazilian landscape design.
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