Abstract
PART I: THE ANONYMOUS CHANSONS ANALYSIS AND ASCRIPTION: Introduction The Rondeaux for Three Voices: Cadences The Rondeaux for Three Voices: Melody The Rondeaux for Three Voices: Mensuration, texture, and performance practice Other Rondeaux, the Ballades, and the Middle Dutch songs A new Binchois repertoire PART II: THE CHANSON IN BURGUNDIAN COURT CULTURE: Introduction What is `Burgundian' music? Chivalric humanism and the Chanson The Chanson and la Courtoise The musical mirror of Burgundian melancholy Conclusion Appendices: Catalogue of Escorial MS V.III.24 The Anonymous Pieces The Vers-Structure of the French-texted songs Corrigenda Bibliography Index
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