Abstract
AbstractIn 1889 and 1905 William F. Cody, commonly known as Buffalo Bill, took his Wild West show on a tour of Europe, playing to sellout crowds on both trips. Although at first glance Buffalo Bill may appear to be a symbol of the vanishing American West, he also represented the power of the new American colossus, embodied by the conquest of the frontier through the technology of the rifle. Buffalo Bill's Wild West was a symbol of American invention and ingenuity, employing electric lights and mass publicity techniques. The show, however, was not simply a demonstration of modern American enterprise and technology; its very message of the westward march of civilization was modern. Examining the reception of Buffalo Bill in France on two visits offers us a unique opportunity to explore the evolution of the relationship of the “sister republics” at a key moment in French and American history.
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