Abstract
How to engage with the recent crisis of liberal democracy in a politically productive manner? Using the example of Hungary, the first part of this article contrasts two empirical strategies. The first takes inspiration from Science and Technology Studies (STS) and explores the conditions of critique within the architecture and infrastructure of liberal democracy. The second empirical strategy turns to a novel by László Krasznahorkai and a film by Béla Tarr, and engages with the problem of critique through búskomorság. This common Hungarian word refers to a sad-sombre sentiment that is both collective and thoroughly political. The second part of the article focuses on an exhibition created by Béla Tarr that combined these two empirical strategies in a generative way. With the help of the exhibition and recent empirical examples, the article outlines what could be called búskomor politics – a set of critical practices that take place not so much within the architecture and the infrastructure of liberal democracy as amid its ruins.
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