Brunelleschi and Bureaucracy: The Tradition of Public Patronage at the Florentine Cathedral

Abstract

Previous articleNext article No AccessBrunelleschi and Bureaucracy: The Tradition of Public Patronage at the Florentine CathedralMargaret HainesMargaret Haines Search for more articles by this author PDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by I Tatti Studies in the Italian Renaissance Volume 31989 Published for Villa I Tatti: The Harvard University Center for Italian Renaissance Studies Article DOIhttps://doi.org/10.2307/4603662 Views: 75Total views on this site Citations: 5Citations are reported from Crossref Copyright 1989 Villa I TattiPDF download Crossref reports the following articles citing this article:Samuel K. Cohn, Jr. Paradoxes of Inequality in Renaissance Italy, (Jul 2021).https://doi.org/10.1017/9781108980586Giacomo Manetti, Marco Bellucci, Luca Bagnoli The construction of Brunelleschi’s dome in Florence in the fifteenth century: between accountability and technologies of government, Accounting History Review 30, no.22 (Nov 2019): 141–169.https://doi.org/10.1080/21552851.2019.1686036 Antonella Astorri , and David Friedman The Florentine Mercanzia and Its Palace, I Tatti Studies in the Italian Renaissance 10 (Oct 2015): 11–68.https://doi.org/10.2307/4603726Mary Hollingsworth Patronage and Innovation in Architecture, (Jan 1998): 13–22.https://doi.org/10.1007/978-3-662-03738-6_2W. Wegener 'That the practice of arras is most excellent declare the statues of valiant men': the Luccan War and Florentine political ideology in paintings by Uccello and Castagno, Renaissance Studies 7, no.22 (Jun 1993): 129–165.https://doi.org/10.1111/j.1477-4658.1993.tb00271.x