Abstract
By JACQUELINE BARDOLPH Nuruddin Farah's two trilogies are organized on the basis of political and historical themes. The title of the first set of novels, Variations on the Theme of an African Dictatorship, follows the gradual disillusionment with the regime of General Siyad Barre on the part of those who had set their hopes on the new Somalia. More generally, it reflects the hopelessness a nation feels in fighting against a tyranny it has helped create, and the questions raised are broad enough to apply to other times and places. After all, at the time he was composing the opening installment of the first trilogy, Sweet and Sour Milk (1979), the author also had in mind the Greece of the Colonels. The titles of the three novels that con-
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