Abstract
African Americans produced many comic strips, comic books, and graphic novels during the twentieth century but their works were rarely recognized in reviews of mainstream and independently published comics until recently. These efforts to acknowledge Black comics creatives and their contributions to the industry must continue. This article participates in the ongoing effort to capture and share the experiences of African American creatives in the independent comic book publishing industry by placing a spotlight on the author and co-creator of the Brotherman: Dictator of Discipline (1990–1996) comic book series, Guy A. Sims. The Brotherman brand is part of a long legacy of inspirational media from independent Black producers. Guy’s early experiences provided him with tangible examples of successful Black-owned media companies that were creating content for Black audiences. His most important influence was his father, Dr. Edward Sims, Jr. Edward introduced young Guy to the works of Richard Wright for inspiration. He also engaged his son in questions that further inspired his creativity. Brotherman now serves as a source of inspiration to multiple generations of new comic book artists and writers.
Highlights
African Americans produced many comic strips, comic books, and graphic novels during the twentieth century but their works were rarely recognized in reviews of mainstream and independently published comics until recently
Sabin praised the works of George Herriman; remarked that he is one of three artists (Windsor McKay, Lyonel Feininger, and George Herriman) from the early twentieth century to be identified as ‘ outstanding’ by historians; explained that Herriman was dubbed ‘comics laureate’; and argued that he may have been more talented than McKay and Feininger (1996: 20–22)
Brown’s (2001) book focuses on the history of Milestone Media while discussing several Black-owned independent comic book publishers, such as ANIA and Omega 7 Comics
Summary
Brotherman, Family, and Legacies: Recognizing the Contributions of African American Independent Comic Book Writers and Artists. The Comics Grid: Journal of Comics Scholarship, 10(1): 6, pp. Peer Review: This article has been peer reviewed through the double-blind process of The Comics Grid: Journal of Comics Scholarship, which is a journal published by the Open Library of Humanities. Open Access: The Comics Grid: Journal of Comics Scholarship is a peer-reviewed open access journal. Digital Preservation: The Open Library of Humanities and all its journals are digitally preserved in the CLOCKSS scholarly archive service. Darnel Degand, ‘Brotherman, Family, and Legacies: Recognizing the Contributions of African American. Independent Comic Book Writers and Artists’ (2020) 10(1): 6 The Comics Grid: Journal of Comics Scholarship.
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