Brom Bones Meets the Count de Buffon: Race, Biopower, and Natural History in ‘The Legend of Sleepy Hollow’

Abstract

ABSTRACT In Washington Irving’s short story ‘The Legend of Sleepy Hollow’, animals are everywhere and almost seem interchangeable with humans. Nevertheless, the story’s pervasive animal imagery has received scant critical attention. In this paper, I consider the blurring human/animal binary in the story as a proxy for blurred lines between different ‘races’ of humans coexisting in Early America. Washington Irving uses his satirical Dutch narrator Dietrich Knickerbocker’s engagement with the Count de Buffon’s Natural History to question categorization based on the interrelated concepts of species and race, which were becoming important in an increasingly biopolitical early United States. I place Irving’s engagement with natural history in context before considering the ‘racial’ tension between the Dutch and the Yankees that Knickerbocker constructs in ‘Sleepy Hollow’. Irving marks this tension as satire in part through Knickerbocker’s deployment of bears and lions, two animal metaphors with special significance in Buffonian natural history. Close attention to the implications of these metaphors complicates our understanding of Brom Bones, a central but understudied character. I also discuss how this satirical use of race could deepen our understanding of ‘Sleepy Hollow’s’ actual racialized characters. Focusing on the animals in ‘Sleepy Hollow’ reveals Irving’s critique of using science to categorize humans into distinct racial groupings for political convenience and complicates our understanding of how early Americans grappled with the interplay between shifting scientific and political paradigms.