Abstract
The British film industry may frequently look like an outpost of Hollywood, with film producers always having at least one eye on the American market. But it is also, by definition, a European cinema, while some of its films receive European funding, and many more are distributed in other European territories besides the UK itself. What then does British cinema look like in the context of Europe? How involved in European production developments are British filmmakers, and indeed policy-makers? How important is it for UK-based filmmakers to address their films to and exploit them in European markets? How extensive is UK/European co-production activity? How widely do British films circulate in the rest of Europe, and which types of films tend to travel best?
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