British Cinema and a Divided Nation

Abstract

Offers contemporary context of Britain as a deeply divided society as reflected in film Analyses Britain’s contested understandings of its past, present and future Examines the various ways recent mainstream films have approached the concept of nationhood Explores the ways in which the contest of ideologies always at work within media representations has played out post-2016 Focuses on historical and contemporary drama films, with each chapter offering detailed readings of either an individual film, or a pair of films British Cinema and a Divided Nation examines representations of the nation found within contemporary British cinema, against a backdrop of rising political tensions and deepening social divisions following the ‘Brexit’ referendum of June 2016. Exploring ways in which the contest of ideologies within media representations has played out post-2016, the book identifies divisions within society that have been given narrative shape and cultural form within recent British films. With case studies of major films such as Mary Queen of Scots , Peterloo , Darkest Hour , Sorry We Missed You and Downton Abbey , this book questions whether we are seeing the negotiation of a new relationship with the wider world, or simply a re-iteration of a long-standing British, or English, understanding of national identity.