Abstract

Post-traumatic stress disorder among returning veterans from the wars in Iraq and Afghanistan has invoked all manner of public responses, not least of which is a sense of pity that begins and ends with the moment of recognition. As such, the publicity of soldier sufferance ironically mitigates the need for a more complex socialization to the pain of war that might be animated by a more nuanced emotional response rooted in the disruption of common narratives about sacrifice, service, and heroism. This essay argues for the potential of Garry Trudeau's trilogy of cartoons, collected under the titles of The Long Road Home, The War Within, and Signature Wound, to depict a dialectic of pity and compassion while underscoring the inadequacies of discourses of trauma through the use of bathos—a verbal–visual descent that emphasizes the commonplace in the seemingly extraordinary through the trope of the ridiculous.

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