Bringing Oil to Life: Corporations and Conspiracies in Russian Oil Documentaries

Abstract

This article examines several documentary films made by and about the Russian oil industry in the period from 2003 to 2016, with a particular emphasis on the ways in which they portray intersections between oil and post-Soviet “life.” It divides these films into two major sub-genres: the corporate documentary (2003-present) and the conspiracy documentary (most widespread after about 2012). Corporate documentaries have been instrumental in fashioning new, post-Soviet links between the oil industry and everyday life, especially through “commodity chain” documentaries shown widely on television and in other media. The conspiracy films of the 2010s then extended these commodity chains into the realm of shadowy international cabals and, in some cases, fantastic alien worlds. Together, these sub-genres speak to the cultural imagination of life in Russia as a petrostate, complete with agents and victims, usable pasts and presents, and a variety of energopolitical subject positions that viewers might inhabit and shift among. Although oil documentaries and science fiction generated around the world have long imagined non-hydrocarbon energy futures for humankind, recent Russian oil documentaries in both sub-genres envision a world in which oil and human life will become ever more tightly enmeshed.