Brilliant Bodies: Material Culture and the Adornment of Men in North Italy’s Quattrocento Courts

Abstract

Previous articleNext article No AccessMaterial Culture of the Italian SignoriBrilliant Bodies: Material Culture and the Adornment of Men in North Italy’s Quattrocento CourtsTimothy McCallTimothy McCallVillanova University Search for more articles by this author PDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by I Tatti Studies in the Italian Renaissance Volume 16, Number 1/2Fall 2013 Published for Villa I Tatti: The Harvard University Center for Italian Renaissance Studies Article DOIhttps://doi.org/10.1086/673421 Views: 546Total views on this site Citations: 9Citations are reported from Crossref © 2013 by Villa I Tatti: The Harvard University Center for Italian Renaissance Studies. All rights reserved.PDF download Crossref reports the following articles citing this article:Allie Terry-Fritsch Playing the Printed Piazza: Giovanni de’ Bardi’s Discorso sopra il giuoco del calcio fiorentino and Somaesthetic Discipline in Grand-Ducal Florence, (Oct 2020).https://doi.org/10.5117/9789463722216_ch05Allie Terry-Fritsch Mobilizing Visitors: Political Persuasion and the Somaesthetics of Belonging in the Chapel of the Magi, (Oct 2020).https://doi.org/10.5117/9789463722216_ch02Timothy McCall Galeazzo’s Gem and Ghellero in the Uffizi Portrait by Piero Pollaiuolo, Source: Notes in the History of Art 39, no.33 (Feb 2020): 150–161.https://doi.org/10.1086/707741Anna Gialdini, Alessandro Silvestri Administrative knowledge and material practices in the archive, Mélanges de l'École française de Rome. Moyen Âge , no.131-1131-1 (Jan 2019).https://doi.org/10.4000/mefrm.4922Emanuele Lugli Metamorphic Heads: A Footnote on Botticelli’s and Pollaiuolo’s Mercanzia Virtues, Source: Notes in the History of Art 37, no.11 (Dec 2017): 26–36.https://doi.org/10.1086/695754John Gagné Collecting Women: Three French Kings and Manuscripts of Empire in the Italian Wars, I Tatti Studies in the Italian Renaissance 20, no.11 (May 2017): 127–184.https://doi.org/10.1086/691389Asa Simon Mittman, Patricia MacCormack Rebuilding the Fabulated Bodies of the Hoard-Warriors, postmedieval: a journal of medieval cultural studies 7, no.33 (Oct 2016): 356–368.https://doi.org/10.1057/s41280-016-0008-0Ulinka Rublack Renaissance Dress, Cultures of Making, and the Period Eye, West 86th: A Journal of Decorative Arts, Design History, and Material Culture 23, no.11 (Jun 2016): 6–34.https://doi.org/10.1086/688198Jane Tylus Invincible masculinities, European Review of History: Revue européenne d'histoire 22, no.44 (Jul 2015): 680–685.https://doi.org/10.1080/13507486.2015.1028341