Abstract

This text is an interview by Chris Dupuis with Benj Gallander, Greg Holmgren, Robert Sherwood, Ben Stadelmann, and Carol Pauker, the founders of the SummerWorks Festival. The team first assembled after being unable to secure slots at the Toronto Fringe Festival, with the idea of starting an alternative summer theatre event that would offer space to artists unable to get into the Fringe. They discuss the first conversations around launching the event through its early years, including the challenges of starting from scratch and running the project collectively and the various triumphs and failures they experienced. They outline changes in the selection process, the move from a first come, first served, model to a lottery system similar to the Fringe, and the gradual introduction of curation through the Parallel Lab initiative. Finally, they discuss how the festival shaped them personally and the event’s lasting impacts on the Toronto theatre sector. The text also includes references the late eighties Toronto theatre scene, including Tomson Highway, Hillar Littoja, and Buddies in Bad Times.

Full Text
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