Abstract

ABSTRACT This article analyses J. H. Prynne’s ‘Blue Slides at Rest’ (2004) in relation to his own poetic theories. By bringing together Prynne’s poetry and theory, I show how ‘Blue Slides at Rest’ encourages a special type of reading: increasingly close rereading. Sense is made at multiple levels: words, syllables, even letters come together to signify in unconventional ways. Turning to Veronica Forrest-Thomson’s theory of ‘good naturalisation’, I demonstrate how each type of closer reading integrates and elucidates previously obscure elements of the poem. At the level of words (where the familiar sense-making of intertext occurs) and at the level of syllables (where the less familiar sense-making of diachronic phonology occurs), my analysis fits in well between Prynne and Forrest-Thomson’s theories. But by reading even more closely, at the level of letters, I argue additionally that ‘Blue Slides at Rest’ evolves Prynne’s poetic theory.

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