Abstract

FQ editor-at-large B. Ruby Rich reports from the 77th edition of the Cannes Film Festival. Skipping the “grand old men” (Francis Ford Coppola’s Megalopolis, David Cronenberg’s Shrouds, and Paul Schrader’s Oh, Canada) competing in the main competition, Rich concentrated instead on the festival’s other sections and its renegade outlier, the Quinzaine (Directors’ Fortnight). Rich describes her festival highlights, including Jacques Audiard’s faux-Mexican, trans-phantasmagoric, all-singing, all-dancing confection Emilia Pérez along with a number of documentaries.

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.