Abstract
Sodobnemu bralcu se Plinijeva »poglavja o umetnosti« lahko zdijo presenetljivo domača. S svojim seznamom umetnikov in del, ki so urejena kot niz slogovnih iznajdb in izboljšav, Plinijev opis grške umetnosti ... v marsikaterem pogledu ustreza zdaj splošno uveljavljenemu modelu zgodovine umetnosti. Vzrok za to je seveda v dejstvu, da je Plinijevo besedilo igralo osrednjo vlogo pri razvoju tega modela (Carey, 2003, 13).
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