Abstract
This article explores two modes of innocence at work in the making of the Humboldt Forum, Germany’s biggest cultural project. It examines the legacy of the historical castle’s “cabinet of curiosities” and the elevation of the Humboldt brothers, especially Alexander von Humboldt, to patron saints. Through these cases, the article identifies an exculpatory mode of innocence focused on the past and an anticipatory mode focused on the future. These modes, it argues, exemplify a tension between the imagination of history as a timeless realm that eschews redemption and as fungible materials that can be recombined to start anew and redeem the past.
Published Version
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
