Abstract

After a critique of top-down colonizing attributes of water projects in the Arts and Humanities, the essay dwells on the communitarian, environmental, and aesthetic value of a short creative documentary about the raised marshland mire behind the ancient seaside village of Borth on the Mid-West Welsh coast. In a mode of theorized autobiography, it then divagates upon the metaphor of water in the author’s recurring dreams about this childhood holiday resort and its complex relations with his home in the English Midlands, an area supplied by Welsh water and that supplies many of Borth’s holiday-makers.

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