Abstract

ABSTRACT In post-WWII United States, Maidenform’s “I dreamed I went shopping in my Maidenform bra” campaign (1949–1969) was seen as a prime example of the psychoanalytical sell: the ads seemed to tap into the repressed psyche of the 1950s housewife, directly pulling the levers of deep-seated sexual desires. This remarkable account has carried over into more recent analyses with little interrogation as to its soundness, and non-Freudian variants have equally re-iterated a “duped housewives” narrative. These accounts, however, tend miss out on the humor that characterized both the ads and the audience’s responses to them. The Dreams might have led to purchase, but they were also reimagined across popular culture in the form of plugs, puns, spoofs, jokes, pranks, parodies, fancy dress, and college floats. In this paper, I explore how Maidenform’s message migrated from the company’s control to a fixture in consumer culture. I argue that humor enabled audiences to mull over the implications of ads’ message and articulate the tensions and discomforts around the depiction of women’s bodies and mental aspirations. This study highlights how consumer responses can complicate dominant narratives in the history of advertising to women.

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