Abstract

God in Popular Culture. Andrew M. Greeley. An Annotated Bibliography of Timothy Leary. Michael Horowitz, Karen Walls, Billy Smith. Highbrow, Lowbrow: The Emergence of Cultural Hierarchy in America. Lawrence W. Levine. The Right to be Human. Edward Hoffman. Beneath the American Renaissance: The Subversive Imagination in the Age of Emerson and Melville. David S. Reynolds. Twentieth‐Century Shapers of American Popular Religion. Charles H. Lippy. Richard Durham's Destination Freedom: Scripts From Radio's Black Legacy, 1948‐50. J. Fred MacDonald, Editor. Circles of Tradition: Folk Arts in Minnesota. St. Paul Addicts Who Survived: An Oral History of Narcotic Use in America, 1923‐1965. David Courtwright Children, Culture and Controversy. Mark I. West. Customizing the Body: The Art and Culture of Tattooing. Clinton R. Sanders. The Politics of Literary Reputation: The Making and Claiming of ‘St. George’ Orwell. John Rodden. Discourse on Popular Culture. Morag Shiach. Crocket at Two Hundred: New Perspectives on the Man and the Myth. Michael A. Lofaro and Joe Cummings, Editor. The Arabbers of Baltimore. Ronald L. Freeman. The Study of Popular Fiction: A Source Book. Bob Ashley. The Indian On Capitol Hill: Indian Legislation and the United States Congress, 1862‐1907. Markku Kenriksson. His Very Silence Speaks: Commanche—The Last Horse Who Survived Custer's Last Stand. Elizabeth Atwood Lawrence. No Time To Wave Goodbye. Ben Wicks. When Russia Learned To Read: Literacy and Popular Literature, 1861‐1917. Jeffrey Brooks. The American Writer and the University. Ben Siegel, Editor. Black Musical Theatre From Coontown to Dreamgirls. Allen Woll. Indian Education in the American Colonies, 1607‐1783. Margaret Connell Szasz. Pseudoscience and the Paranormal. Terence Hines. Competence in Performance: The Crativity of Tradition in Mexicano Verbal Art. Charles L. Briggs. Studying Political Authority Through Architecture. The Social Meaning of Civic Space. Charles T. Goodsell. Romance and the Erotics of Property: Mass Market Fiction For Women. Jan Cohn. The Japanese Through American Eyes. Sheila K. Johnson. The Culture of Capital: Art, Power and the Nineteenth‐Century Middle Class. Janet Wolff and John Seed, editors Myths of Oz: Reading Australian Popular Culture. John Fiske, Bob Hodged and Graeme Turner, editors. Recreating Utopia in the Desert: A Sectarian Challenge to Modern Mormonism. Jans A. Baer. Selected Vaudeville Criticism. Anthony Slide. The Romance Revolution: Erotic Novels For Women and the Quest For a New Sexual Identity. Carol Thurston. Naming the Rose: Essays on Eco's The Name of Rose. N. Thomas Inge, editor. Kill For Collingwood. Richard Stremski. Halle's: Memoirs of a Family Department Store (1891‐1982). James M. Wood. Letters of Marshall McLuhan. Selected and Edited by Matie Molinaro, Corinne McLuhan, William Toye. The Animal Estate: The English and Other Creatures in the Victorian Age. Harriet Ritvo. Future Focus Book in Lists II: The Sequel. Roger Reynolds, editor Mythical and Fabulous Creatures: A Source Book and Research Guide. Malcolm South, editor. Crusade Against Drink In Victorian England. Lilian Lewis Shiman. Turned To Account: The Forms and Functions of Criminal Biography in Late Seventeenth‐and Early Eighteenth‐century England Lincoln B. Faller. American Popular Music and its Business: The First Four Hundred Years. Russel Sanjek. Heckling Hitler: Caricatures of The Third Reich. Zbynek Zeman. The Business of Being Buffalo Bill: Selected Letters of William F. Cody, 1879‐1917. Sarah J. Blackstone. Art in a Democracy. Dough Blancy & Kristin B. Congdon, editor. Art Into Pop. Simon Frith and Howard Horne. Happy in the Service of the Lord: Afro‐American Gospel Quartets in Memphis. Kip Lornell Pleasure of the Belle Epoque: Entertainment & Festivity in Turn‐of‐the‐Century France. Charles Rearick. Handbook of American Popular Literature. M. Thomas Inge, editor. Parades and Power: Street Theatre in Nineteenth‐Century Philadelphia. Susan G. Davis. Vision & Difference: Femininity, Feminism and the Histories of Art. Griselda Pollock.

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