Abstract

This book review addresses how visual culture reflects legal norms. The volume is ambitious in its scope. Readers will learn a great deal about the history of iconography associated with law but less about the translocal political and social forces that render ‘Justice’ legible, that built impressive structures, and that pressed certain narratives into enduring public consciousness. Furthermore, the haunting question addressed by some, but not all, of the authors remains: how to think about the continued legibility of much of this imagery given that social movements have transformed adjudication into a practice embedded in democracies and, in many countries, have produced courthouses as an icon not only of adjudication but also of government more generally?

Full Text
Paper version not known

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.