Abstract
Queyrel has written extensively on Hellenistic art, particularly the art of Pergamon, including several articles on Pergamene sculpture and an important recent book that focuses on Attalid portraits (Les Portraits des Attalides. Fonction et representation [Athens 2003]). In his latest publication, he chooses to examine one of the most significant monuments from the Hellenistic Age, the Great Altar at Pergamon, and the result reflects his obvious expertise and familiarity with the subject.
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