Abstract

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Highlights

  • This volume aims to tackle ‘creativity’—what it is, and how it presents itself in late life—on the crossroads of two lenses: cultural gerontology and the arts and humanities

  • The editors say this is a “provisional” collection, including authors of diverse backgrounds, speaking from a wide area of experiences, “who were likely to approach the subject of late-life creativity from very different, even frankly conflicting, viewpoints” (10). They claim that gerontological contributors tend to be interested in the “effects of creativity on old age [while] arts-and-humanities scholars tend to focus on the effects of old age on creativity” (9)

  • If anthropologists had been included in the collection, and if the editors had more broadly represented cultural gerontology, their readership might have been widened

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Summary

Introduction

This volume aims to tackle ‘creativity’—what it is, and how it presents itself in late life—on the crossroads of two lenses: cultural gerontology and the arts and humanities. They claim that gerontological contributors tend to be interested in the “effects of creativity on old age [while] arts-and-humanities scholars tend to focus on the effects of old age on creativity” (9).

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