Abstract

Carlos Piocos’s ground-breaking book, Affect, Narratives and Politics of Southeast Asian Migration published earlier this year by Routledge, provides an in-depth analysis of the intimate labour(ed) landscape of Filipina and Indonesian migrant workers in Hong Kong and Singapore, and how their (im)mobilities are not just hastened and aggravated by the neoliberal framework of global labor and the policies of their sending and receiving nation-states, but also in terms of the emotionality that circulates within the global care chains network. Piocos specifically turns our attention to the “felt” politics that emanate from films and fictions of and by Southeast Asian migrant workers and how these cultural productions create an affective economy that, according to him, is not just “sticky” as feminist critic Sarah Ahmed describes, but demonstrates varying viscosities of “thickening and thinning out,” reflecting a “messiness” of feelings that do not necessarily coalesce in these texts (p. 10).

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