Abstract
A photograph depicts anthropologist Franz Boas posing as an Indigenous youth in search of human flesh. It looks like an icon of cultural appropriation, but behind the picture is a history of Indigenous influence. The archive of body knowledge-memories encapsulated in the motions of dance and indexed in images-reveals that the Kwak'wala-speaking peoples civilized the white man who came to study them, converting him to the Host-Guest logic of potlatch encoded in their Hama[inline-graphic 01]sa dance. Seeing Boas as a host body of Indigenous knowledge radically reconfigures our understanding of influence, compelling us to ask who creates modernity.
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