Abstract
The manuscript focuses on the complex of semantic aspects associated with the development and textual evolution of Bob Dylan, the Nobel Prize winner for literature in 2016. The article deals with the semantic acoustics of some famous Bob Dylan’s poetic texts that have become the musical and literary classics of the twentieth century. The splicing edges of Bob Dylan’s poetic texts are distinguished; they have intellectual and sensual, visual and visionary, imaginative and emotional, metaphorical and direct, semantic and acoustic principles. The relationship between the structure and the semantic phonics of some texts is studied. The paper emphasizes on the urgency, acute sociability and ontology, universal philosophy of his poetic texts. There is a neomodern poetic experimentation in some Bob Dylan’s texts, he seems to overcome time limits and, in fact, to combine different historical times, cultural epochs, mental values. The article summarizes that Bob Dylan’s art concern has influenced polyphonically and creatively to the various artistic spheres of the second half of the twentieth century, becoming one of the drivers of world trends in literature, music culture, and cinematography. Methodology. In accordance with the paper purpose the following methods are used: the method of scientific literature analysis, the comparative method, the method of conceptual analysis, the method of sampling texts. An important role also has the descriptive method, which includes generalization, systematization and interpretation of the obtained data. The research also relies on methods of description, comparison, systematization.
Highlights
On May 24, 2021, the famous American musician and Nobel Prize winner for literature Bob Dylan was 80 years old
Universal Bob Dylan’s creative faces are most productively interpreted through the prism of cluster optics, cluster analytical technology. This needs to appeal within the limits of one study to his poetic texts and prose, as well as his musical and cinematic facts of his art image
Bob Dylan is such a multi-faceted and multidimensional personality (Vernezze, & Porter, 2005) in a creative sense that he can be represented as a multi-instrumentalist, taking into account the results of his creative activities in the field of music (Shelton, 2011), literature, cinema, and painting (Weberman, 2016), (Weberman, 2019)
Summary
On May 24, 2021, the famous American musician and Nobel Prize winner for literature Bob Dylan was 80 years old. Universal Bob Dylan’s creative faces are most productively interpreted through the prism of cluster optics, cluster analytical technology This needs to appeal within the limits of one study to his poetic texts and prose, as well as his musical and cinematic facts of his art image. Bob Dylan is such a multi-faceted and multidimensional personality (Vernezze, & Porter, 2005) in a creative sense that he can be represented as a multi-instrumentalist, taking into account the results of his creative activities in the field of music (Shelton, 2011), literature, cinema, and painting (Weberman, 2016), (Weberman, 2019) In all these artistic niches one worked in different roles (Holubnycha et al, 2020) and in different genres (Kryvoruchko et al, 2021), trends (Kostikova et al, 2020), directions (Demchenko et al, 2021). Researchers studied mostly the different parts of Bob Dylan’s creativity: the biography separately, the songs separately, the music https:// www.amazoniainvestiga.info separately, so, art versatility and artistic multiinstrumentalism are not analyzed yet
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