Abstract
The Bulletin asked me to review a new surgical display within the London Dungeon® – the sort of crowd shocker that I'd not visited since childhood, when allowed to go to the Chamber of Horrors in Madame Tussauds. This particular exposition comes at a time of a plethora of publications, programmes, exhibitions, shows and lectures on medical history, clearly responding to public demand and curiosity. It was clear that this performance was not to be judged other than as entertainment.
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