Abstract
AbstractThis article examinesFilm Studies of the Dance, a dance film created in 1935 by Blanche Evan, Lionel Berman, and David Wolff. The film premiered Evan's new system of dance training, Functional Technique, to the 1930s New York revolutionary dance community. I analyze the film and Functional Technique inside of the debates over technique and content that preoccupied left-wing modern dancers in this period. Ultimately,Film Studies of the Danceemerges as a collaborative attempt by Evan, Berman, and Wolff to create new approaches to dance and film that would unify form and content to further socially conscious art making.
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