Abstract
ABSTRACTCharlie, the main character in Sharon Dodua Otoo's Afrofuturist Christmas novella Synchronicity, is a Black single mother of Ghanaian heritage working as a graphic designer in Berlin who has spent her whole life feeling the constraints of her ancestral traditions. When one day she starts losing her ability to see colours, she cannot disclose that family‐specific dis/ability since it would have professional and material consequences. Charlie embarks on a journey of self‐reflection, in the course of which she will realise that something that at first seemed to be a loss could, in fact, be a blessing in disguise. My essay analyses the intersection of Blackness and dis/ability in Synchronicity through the lens of DisCrit: a theoretical approach associating Disability Studies and Critical Race Theory, and argues that Otoo's novella manages to effectively depict the intersections regarding the onset of an invisible dis/abilty as well as Blackness and diasporic experiences, while an Afrofuturist reading of the novella allows us to consider it as a story based on hope, self‐acceptance and the need for community.
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