Abstract

Abstract Black Radio is a window into the most famous radio show you never heard of. The Tom Joyner Morning Show is a quarter-century-old syndicated black morning radio show reaching more than eight million adult, largely working-class listeners. It offers progressive political talk, soul music, humor, advice, philanthropy, and celebrity gossip. But the TJMS is not just an adult “old-school music” radio show: it is an on-air organizer, fusing progressive politics and aesthetics. It focuses on specific political issues affecting and enraging African Americans. Black Radio analyzes the TJMS’s rise in the Clinton era, and its coverage of key events—9/11, Hurricane Katrina, President Obama’s elections and terms, the murders of unarmed black Americans and the rise of Black Lives Matter, and the shocking 2016 Donald Trump electoral triumph. It showcases the varied, contentious, and blackly humorous voices of anchors, guests, and audience members. Finally, it investigates the new synergistic set of cross-medium ties and political connections now affecting print, broadcast, and online politics in anti-racist directions. Despite the dismal present, this new multiracial progressive public sphere has extraordinary potential for shaping future American politics. Black Radio, then, is more than the project of making the invisible visible, bringing to light a major counterpublic phenomenon unjustly ignored for reasons of color, class, generation, and medium. It tunes us in to an alternative understanding of the black public sphere in the digital age. Like the show itself, Black Radio is politically progressive, music-drenched, angry, and blisteringly funny.

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